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After a year away, Sally returns refreshed and excited to exhibit her work once again. This year’s exhibition features a vibrant collection of ceramic wall art, ranging from playful fish to striking abstract collages. Each piece is hand-crafted in stonewa ...
PEN AND INK DRAWINGS: My latest works are large, predominantly of the Wiltshire Downs and the monumental trees of Savernake Forest. Working in black and white emphasises form, light and pattern. Wiltshire’s downland can appear like the swell of the sea ...
Some of my earliest memories are of being outside immersed in nature and just drinking it in. My landscape and still life paintings are also a way of having this communion. I spend a lot of time exploring and, with a sketch book, planning what to paint, ...
I love words. Some of them take on an image in my mind, often unrelated to their original meaning, which in turn, inspires me to illustrate them. I like to see my thinking as a visual result. I find that expressing my thoughts through illustration, wheth ...
From my garden studio in the heart of Devizes I paint land and seascapes loosely in a wide variety of materials including oil, acrylic, ink and pure pigment. More recently I've been focusing on developing a language to describe floral and foliage subjects ...
Paul is lucky enough to have a studio in a former cricket pavilion, which looks out across the Pewsey Vale and the hills of the Marlborough Downs. On display this year at the Pavilion Studio are a collection of his oil paintings. Alongside local landscape ...
Sarah works with copper, iron, aluminium and galvanised steel wires and incorporates details made from beads and colourful tin cans in her freehand sculptures. Taking inspiration from gardens and the countryside Sarah aims to make her art unusual and play ...
Based in the beautiful Vale of Pewsey, Deborah works from her studio both as a commercial and fine art photographer. Intricate and precise studies of flowers and fruits/vegetables grown in the garden are captured using the ever changing natural light. ...
I work mainly in pastels but love to explore different mediums. I am always trying to capture the personality of the animals I draw and I enjoy seeing the owners response to their finished portraits, it's always very rewarding. between portraits I enjoy c ...
A recurring inspiration is the beauty of plants and nature with a love of colour, light, space and pattern. I paint predominantly in oils, interweaving threads of colour to connect contemplated objects.
I work mainly with soft pastels, loving the vibrancy and immediacy of this medium, although I am increasingly combining with other media too. I am inspired by the landscape around me, sometimes focussing on the wide, spectacular views and at other times o ...
Abby has always had an enthusiasm for art, colour and texture, and is at her happiest in her studio, putting into practice a different twist on traditional millinery. Building upon a City & Guilds level 2 in fashion millinery under Louise Pocock, Abby has ...
Glass has been special to me over many years. I have a particular interest and passion for kiln formed glass, predominantly making vessels and small decorative objects as well as small items of jewellery. I also do some glass casting and pate de verre. I ...
This year I am showing work from various projects I have produced over the years in a ‘retrospective’. Mostly digital work from the last 15 years, but also some silver gelatin prints from earlier analogue work. I have made many photo books over the years ...
In silver-work sitting between sculpture and adornment, Meryl Ainslie explores ideas through small endeavours. ‘I rise, I rise’ is a gathering of flower pieces that become counterbalances to teetering towers of soft formed building blocks. The title of th ...
Hannah Cantellow is a Wiltshire-based artist and trained printmaker, she has specialised in both Fine Art and Multi-Disciplinary Printmaking and later completed her MA in Social Sculpture & Connective Practice at Oxford Brookes University in 2018. It was ...
My artist's practice is firmly rooted in an immediate, energetic and emotional response to the landscape. Focusing on evocation, rather than illustration, I aim to capture what I see before me in my own, rather idiosyncratic way. Working in soft pastels o ...
